I attended the opening night of KAMP, part of the Ulster Bank Dublin Theatre Festival 2009 last night. This is what they say it’s about: An enormous model of Auschwitz takes up the whole stage with crowded huts, a railway line, and a gate with the slogan “Arbeit Macht Frei”. The model of the camp comes to life with thousands of 8cm high hand-made puppets, representing the prisoners and their executioners. The actors, like colossal war correspondents, weave through the scene with hand-held cameras. They film the atrocities. The audience becomes witness. Not a word is spoken, the audience only experiences the sights and sounds, which transcend the powerlessness of the figures into much more than a mere reporting of events. It is, quite simply, amazing. Performed by Herman Helle, Pauline Kalker and Arlène Hoornweg has three amazing attributes that make it worth seeing: The camera angles The sounds The … There’s more →